Non Fiction
2024
$52.00
First edition of Non Fiction by Henri Kisielewski (2024)
First impression
Medium format hardback in new condition
Signed by Henri Kisielewski to title page
About
A work of lyrical documentary that explores the porous boundary between fact and fiction in photography. The premise is simple: is it possible to photograph the world as it is and create a series that feels like fiction?
“To give truth the colour and narrative force of fiction”, this was Truman Capote’s ambition when he wrote ‘In Cold Blood’, the true account of a quadruple homicide in 1960s Kansas. It is the starting point for Non Fiction, a work of lyrical documentary that explores the porous boundary between fact and fiction in photography.
The premise is simple: is it possible to photograph the world as it is - through chance encounters and local news stories - and create a series that feels like fiction?
Since its beginnings, photography has had a slippery relation to truth: even the most ‘objective’ portraits will necessarily involve decisions relating to location, light and pose. Indeed, even the authenticity of the very first photograph of a human being (Louis Daguerre’s Boulevard du Temple, 1838) is still in question nearly two centuries after its creation. In the current context, where the boundary between what is real and what isn’t is increasingly ambiguous (e.g. fake news, infotainment, AI generated imagery…), it seems more pertinent than ever to reflect on our relation to reality and how it is mediated through images.
Non Fiction plays on the tension between the real and the unreal through a variety of visual strategies deployed to blur the lines (props, off-camera flash, cinematic clichés...). Images made in the real world accumulate and coalesce, forming a narrative that is fluid and multidirectional, suggestive yet unfixed. Framed in this way, daily life is transformed: every window hides secrets, every stranger is a protagonist, every object becomes a clue or a piece of evidence.
The title of the project makes reference to the fact that in literature, the dichotomy is between fiction and non-fiction - perhaps in photography as well, there is a tacit understanding that truth is always relative.
